Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem C. I have a number of poems whose titles are letters of the alphabet: A, B, C, D, E, F.
Shirley Geok-lin Lim
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Whose
Walker
Numbers
Walkers
Read
Alphabet
Book
Poems
Titles
Poem
Letters
Number
Unpublished
More quotes by Shirley Geok-lin Lim
John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
Shirley Geok-lin Lim
One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
Wouldn't that be wonderful if I could do that? And that way, I could walk with the muse, rather than walk without her. The novel would write itself.
Shirley Geok-lin Lim
Particularly in relationship to my father - there's something that daughters, girl children, do almost instinctually in their relationships with their father, so that physically, those boundaries must be respected and never crossed.
Shirley Geok-lin Lim
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
I have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin Lim
Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
Shirley Geok-lin Lim
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
If I could write a novel while I'm walking, I probably would.
Shirley Geok-lin Lim
Philosophy is a bad master for poetry religion worse and politics self-serving will never serve the Muse.
Shirley Geok-lin Lim
Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
Just because suddenly you have a sabbatical doesn't mean that the writing occasion comes to you.
Shirley Geok-lin Lim
I'm in my 60s, and a cancer scare just makes you more aware of mortality.
Shirley Geok-lin Lim
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim