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You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem C. I have a number of poems whose titles are letters of the alphabet: A, B, C, D, E, F.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Whose
Walker
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Walkers
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Alphabet
Book
Poems
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Poem
Letters
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Unpublished
More quotes by Shirley Geok-lin Lim
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
As a first-generation Asian American woman, for one thing, I knew there was no such thing as an Asian American woman. Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me.
Shirley Geok-lin Lim
In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
Heterosexuality - whichever gender you are - says that the other gender is very important to you.
Shirley Geok-lin Lim
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
The foot can march or it can dance, but it cannot stand still until end-stopped.
Shirley Geok-lin Lim
Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
People called me a tomboy. That was the term used then. I was very much someone who was comfortable in male clothing, and even later when I grew up, I was constantly wearing dungarees, wearing guy shirts.
Shirley Geok-lin Lim
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
Shirley Geok-lin Lim
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
I'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin Lim
I have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin Lim
Particularly in relationship to my father - there's something that daughters, girl children, do almost instinctually in their relationships with their father, so that physically, those boundaries must be respected and never crossed.
Shirley Geok-lin Lim
After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.
Shirley Geok-lin Lim