Quote

It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Muse
Teaching
Whatever
Ever
Impatient

More quotes by Shirley Geok-lin Lim

Image
If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
Image
If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
Shirley Geok-lin Lim
Image
It is true that my characters have sex.
Shirley Geok-lin Lim
Image
I want, I want, I want! We never grow out of it somehow. Unless we become Buddhists, maybe.
Shirley Geok-lin Lim
Image
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
Image
Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
Image
Some Asian American male scholars have claimed this muse to be Guong Goong, God of Literature, and, simultaneously, although not coincidentally or triflingly, God of War, but I did not have such a gendered muse in mind then.
Shirley Geok-lin Lim
Image
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Image
People called me a tomboy. That was the term used then. I was very much someone who was comfortable in male clothing, and even later when I grew up, I was constantly wearing dungarees, wearing guy shirts.
Shirley Geok-lin Lim
Image
Heterosexuality - whichever gender you are - says that the other gender is very important to you.
Shirley Geok-lin Lim
Image
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
Image
The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Shirley Geok-lin Lim
Image
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
Image
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
Image
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
Image
That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
Image
In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
Image
I'm in my 60s, and a cancer scare just makes you more aware of mortality.
Shirley Geok-lin Lim
Image
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
Image
In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.
Shirley Geok-lin Lim