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It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Impatient
Muse
Teaching
Whatever
Ever
More quotes by Shirley Geok-lin Lim
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
Particularly in relationship to my father - there's something that daughters, girl children, do almost instinctually in their relationships with their father, so that physically, those boundaries must be respected and never crossed.
Shirley Geok-lin Lim
If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
I do want to do the entire alphabet. There's in [Walker's Alphabet] a poem called A Life in that grouping. I was going to change that title to A.
Shirley Geok-lin Lim
Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
The foot can march or it can dance, but it cannot stand still until end-stopped.
Shirley Geok-lin Lim
Heterosexuality - whichever gender you are - says that the other gender is very important to you.
Shirley Geok-lin Lim
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
I was not - even the notion of could not seems to suggest a moment of recognition, but it was such a repressed dimension - I was not able to NOT wear a shirt like my brothers could. My brothers would, in the heat, run around shirtless, and I wouldn't do that, obviously.
Shirley Geok-lin Lim
I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
Shirley Geok-lin Lim
I feel compassionate, because I know [students] all have to go down this road of suffering and it's going to be tough.
Shirley Geok-lin Lim
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim