Quote

I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 80
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Think
Woman
Thinking
Often
Also
Silences
Back
Occasion
Come
Talks
Writing
Occasions
Work
Writer
Really
Silence

More quotes by Shirley Geok-lin Lim

Image
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Image
When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
Image
It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
Image
Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
Image
It is true that my characters have sex.
Shirley Geok-lin Lim
Image
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Image
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
Image
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
Image
Some Asian American male scholars have claimed this muse to be Guong Goong, God of Literature, and, simultaneously, although not coincidentally or triflingly, God of War, but I did not have such a gendered muse in mind then.
Shirley Geok-lin Lim
Image
Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
Image
After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
Image
Of course, among the confused motives that spurred me toward being a writer was also the desire to look, to be above the trees and rooftops, beyond the Malaysian horizon that circumscribed my life.
Shirley Geok-lin Lim
Image
My brothers were my peers, but they were not the preeminent male figures in my emotional life.
Shirley Geok-lin Lim
Image
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
Image
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
Image
Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
Image
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
Image
In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
Image
One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
Image
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Shirley Geok-lin Lim