Quote

I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Thinking
Often
Also
Silences
Back
Occasion
Come
Talks
Writing
Occasions
Work
Writer
Really
Silence
Think
Woman

More quotes by Shirley Geok-lin Lim

Image
Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
Image
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
Image
I guess my writing through time has focused on a number of dimensions that reflect separately on the meaning and social place of the female body.
Shirley Geok-lin Lim
Image
Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself it is slowed down by poetics after its flight is over.
Shirley Geok-lin Lim
Image
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Image
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
Image
In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
Image
The Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
Shirley Geok-lin Lim
Image
Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
Shirley Geok-lin Lim
Image
New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
Image
After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
Image
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Image
When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
Image
When I spoke at the 2012 Contemporary Women Writers' Conference in Taipei, I thought it offered an appropriate moment and site to announce my new manifesto10 and profession - to be a writer.
Shirley Geok-lin Lim
Image
I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
Image
I only submit the poems I think are the strongest.
Shirley Geok-lin Lim
Image
Heterosexuality - whichever gender you are - says that the other gender is very important to you.
Shirley Geok-lin Lim
Image
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
Image
My brothers were my peers, but they were not the preeminent male figures in my emotional life.
Shirley Geok-lin Lim
Image
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim