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If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Long
Symbolic
Struggle
Enough
Even

More quotes by Shirley Geok-lin Lim

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No one, evidently, except me has found No Alarms poem ironical that an obsessive theme in my writing was - and has continued to be - not being able to write.
Shirley Geok-lin Lim
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As a first-generation Asian American woman, for one thing, I knew there was no such thing as an Asian American woman. Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me.
Shirley Geok-lin Lim
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After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
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I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
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In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.
Shirley Geok-lin Lim
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It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
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Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
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I only submit the poems I think are the strongest.
Shirley Geok-lin Lim
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That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
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From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
Shirley Geok-lin Lim
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You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem C. I have a number of poems whose titles are letters of the alphabet: A, B, C, D, E, F.
Shirley Geok-lin Lim
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New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
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Note, the reply will not be I write, an act that I have, after all, been performing since I was nine.
Shirley Geok-lin Lim
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Particularly in relationship to my father - there's something that daughters, girl children, do almost instinctually in their relationships with their father, so that physically, those boundaries must be respected and never crossed.
Shirley Geok-lin Lim
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Even today, I'm much more comfortable dressed in a male kind of way.
Shirley Geok-lin Lim
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In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
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In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
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What happens when a female writer invokes a female muse? Does something else happen? With Sappho's figures of desire, we have a different lesbian energy.
Shirley Geok-lin Lim
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I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
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Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim