Quote

I don't really get into the power sufficiently, and that's also a problem for me.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Problem
Really
Sufficiently
Also
Power

More quotes by Shirley Geok-lin Lim

Image
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
Image
I do want to do the entire alphabet. There's in [Walker's Alphabet] a poem called A Life in that grouping. I was going to change that title to A.
Shirley Geok-lin Lim
Image
Even today, I'm much more comfortable dressed in a male kind of way.
Shirley Geok-lin Lim
Image
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Image
I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
Shirley Geok-lin Lim
Image
In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
Image
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
Shirley Geok-lin Lim
Image
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
Image
Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
Image
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
Image
The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
Image
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
Image
I was not - even the notion of could not seems to suggest a moment of recognition, but it was such a repressed dimension - I was not able to NOT wear a shirt like my brothers could. My brothers would, in the heat, run around shirtless, and I wouldn't do that, obviously.
Shirley Geok-lin Lim
Image
As a first-generation Asian American woman, for one thing, I knew there was no such thing as an Asian American woman. Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me.
Shirley Geok-lin Lim
Image
One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
Image
I'm surrounded by men, and the muse is complaining that I have neglected her.
Shirley Geok-lin Lim
Image
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
Image
Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
Image
Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
Image
When I spoke at the 2012 Contemporary Women Writers' Conference in Taipei, I thought it offered an appropriate moment and site to announce my new manifesto10 and profession - to be a writer.
Shirley Geok-lin Lim