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When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 80
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Write
Writing
Heterosexual
World
Muse
Aside
Admit
Loving
Female
Woman

More quotes by Shirley Geok-lin Lim

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The foot can march or it can dance, but it cannot stand still until end-stopped.
Shirley Geok-lin Lim
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In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
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I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
Shirley Geok-lin Lim
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Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
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When I spoke at the 2012 Contemporary Women Writers' Conference in Taipei, I thought it offered an appropriate moment and site to announce my new manifesto10 and profession - to be a writer.
Shirley Geok-lin Lim
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Even today, I'm much more comfortable dressed in a male kind of way.
Shirley Geok-lin Lim
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I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
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My recent retirement from full-time teaching to the status of research professor at University of California-Santa Barbara (UCSB) encouraged me to come out, so to speak.
Shirley Geok-lin Lim
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[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
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Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
Shirley Geok-lin Lim
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Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
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Philosophy is a bad master for poetry religion worse and politics self-serving will never serve the Muse.
Shirley Geok-lin Lim
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In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
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The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
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The problem of the female body is not something that I've studied, but my memoir does treat that theme.
Shirley Geok-lin Lim
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I want, I want, I want! We never grow out of it somehow. Unless we become Buddhists, maybe.
Shirley Geok-lin Lim
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When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
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I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.
Shirley Geok-lin Lim
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Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
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John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim