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When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Writing
Heterosexual
World
Muse
Aside
Admit
Loving
Female
Woman
Write
More quotes by Shirley Geok-lin Lim
In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
I do want to do the entire alphabet. There's in [Walker's Alphabet] a poem called A Life in that grouping. I was going to change that title to A.
Shirley Geok-lin Lim
Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself it is slowed down by poetics after its flight is over.
Shirley Geok-lin Lim
Sometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin Lim
From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
Shirley Geok-lin Lim
When I spoke at the 2012 Contemporary Women Writers' Conference in Taipei, I thought it offered an appropriate moment and site to announce my new manifesto10 and profession - to be a writer.
Shirley Geok-lin Lim
People called me a tomboy. That was the term used then. I was very much someone who was comfortable in male clothing, and even later when I grew up, I was constantly wearing dungarees, wearing guy shirts.
Shirley Geok-lin Lim
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Shirley Geok-lin Lim
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
I don't really get into the power sufficiently, and that's also a problem for me.
Shirley Geok-lin Lim
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Shirley Geok-lin Lim
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
I have some weak poems in that new collection, which is why I'm not ready to send the collection out yet.
Shirley Geok-lin Lim
I want, I want, I want! We never grow out of it somehow. Unless we become Buddhists, maybe.
Shirley Geok-lin Lim
