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Heterosexuality - whichever gender you are - says that the other gender is very important to you.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Gender
Says
Important
Heterosexuality
Whichever
More quotes by Shirley Geok-lin Lim
Of course, among the confused motives that spurred me toward being a writer was also the desire to look, to be above the trees and rooftops, beyond the Malaysian horizon that circumscribed my life.
Shirley Geok-lin Lim
I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.
Shirley Geok-lin Lim
Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Shirley Geok-lin Lim
Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself it is slowed down by poetics after its flight is over.
Shirley Geok-lin Lim
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
I'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin Lim
Rather, the collapsing between act and condition, I am with I do, feels like authenticity, an authenticity of being. The muse rewarded me for a few months, after April of 2012, by giving me poems, almost a poem each day, that I can claim as coming from my writer's status.
Shirley Geok-lin Lim
My muse is very often, in my mind, a nagger. She nags me.
Shirley Geok-lin Lim
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and the poet, my multigenre impulses incline me to a broader transformation: to be a writer.
Shirley Geok-lin Lim
In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
In the poem C, the crows are associated with cancer, because I had suffered a cancer scare.
Shirley Geok-lin Lim
Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
The Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
Shirley Geok-lin Lim
The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
When I was younger, yes, there was a part of me - and I wrote about that bit in Among the White Moon Faces - that wanted to be a boy. I wanted to be accepted by my brothers and to be their peers.
Shirley Geok-lin Lim
This condition [irony] has nothing to do with writer's block, a psychological syndrome, which is one of the few I have not diagnosed for myself!
Shirley Geok-lin Lim
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim