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People called me a tomboy. That was the term used then. I was very much someone who was comfortable in male clothing, and even later when I grew up, I was constantly wearing dungarees, wearing guy shirts.
Shirley Geok-lin Lim
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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Even
Later
Tomboy
Much
Comfortable
Clothings
People
Grew
Clothing
Called
Shirts
Guy
Wearing
Term
Male
Someone
Males
Used
Constantly
Dungarees
More quotes by Shirley Geok-lin Lim
Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
I have a muse who's very powerful, but I'm still a hopeless deadbeat of a poet.
Shirley Geok-lin Lim
It's why muse is so impatient with me. I don't ever go to her until after the teaching or whatever is over.
Shirley Geok-lin Lim
I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.
Shirley Geok-lin Lim
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
When I write, I put aside the heterosexual world to admit a muse that is a woman-loving-woman female.
Shirley Geok-lin Lim
The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Shirley Geok-lin Lim
In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
My recent retirement from full-time teaching to the status of research professor at University of California-Santa Barbara (UCSB) encouraged me to come out, so to speak.
Shirley Geok-lin Lim
John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
In the same way, the people whom I most abhor, I abhor them for elements that I abhor in myself.
Shirley Geok-lin Lim
Of course, among the confused motives that spurred me toward being a writer was also the desire to look, to be above the trees and rooftops, beyond the Malaysian horizon that circumscribed my life.
Shirley Geok-lin Lim
If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
Shirley Geok-lin Lim
If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time.
Shirley Geok-lin Lim
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
It is true that my characters have sex.
Shirley Geok-lin Lim
I'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin Lim