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My brothers were my peers, but they were not the preeminent male figures in my emotional life.

Shirley Geok-lin Lim

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Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Emotional
Life
Preeminent
Peers
Brothers
Male
Males
Figures
Brother

More quotes by Shirley Geok-lin Lim

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You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem C. I have a number of poems whose titles are letters of the alphabet: A, B, C, D, E, F.
Shirley Geok-lin Lim
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I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
Shirley Geok-lin Lim
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Stop Already is a fairly new poem in a group that was just published by Feminist Studies, which is why I sent them to you.
Shirley Geok-lin Lim
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New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades.
Shirley Geok-lin Lim
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Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim
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Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
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In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
Shirley Geok-lin Lim
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Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
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Agency over one's sexual self - and the articulation of that kind of agency - might seem transgressive to readers who don't expect it in a woman's text.
Shirley Geok-lin Lim
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The poem might come to you as you're preparing to teach a lecture, right? And when you say, no to that occasion, that poem is gone.
Shirley Geok-lin Lim
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Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim
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[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
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One should be able to teach adequately and feel good about it.
Shirley Geok-lin Lim
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What happens when a female writer invokes a female muse? Does something else happen? With Sappho's figures of desire, we have a different lesbian energy.
Shirley Geok-lin Lim
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Even today, I'm much more comfortable dressed in a male kind of way.
Shirley Geok-lin Lim
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I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
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That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Shirley Geok-lin Lim
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Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
Shirley Geok-lin Lim
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Saul Bellow has that character in Henderson the Rain King say: I want, I want, I want!9 I remember reading this passage years ago and thinking, yes, that's the human.
Shirley Geok-lin Lim
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I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
Shirley Geok-lin Lim