Quote

Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.

Shirley Geok-lin Lim

Change background

T
T
T

Change font

TAGS & TOPICS

Shirley Geok-lin Lim
Age: 79
Born: 1944
Born: December 27
Journalist
Literary Critic
Writer
Malacca City
Particular
Highly
Taught
Visible
Nuns
Growing
Sensitive
Nun
School
Catholic
Attended
Body
Period
Repressed
Time
Periods
Asia
Female
Missionary
Consciousness
Site

More quotes by Shirley Geok-lin Lim

Image
I'm in my 60s, and a cancer scare just makes you more aware of mortality.
Shirley Geok-lin Lim
Image
Breath and brevity are sisters the long-winded is an enemy who muffles your heartbeat.
Shirley Geok-lin Lim
Image
If you've been in a symbolic struggle long enough, even when the struggle is over, you don't know it's over.
Shirley Geok-lin Lim
Image
Poetry has roots, and sometimes they are aerial. Sometimes they are buried.
Shirley Geok-lin Lim
Image
Wouldn't that be wonderful if I could do that? And that way, I could walk with the muse, rather than walk without her. The novel would write itself.
Shirley Geok-lin Lim
Image
Even today, I'm much more comfortable dressed in a male kind of way.
Shirley Geok-lin Lim
Image
After Fifty Shades of Grey, I think my writing is pretty tame, isn't it?
Shirley Geok-lin Lim
Image
Some Asian American male scholars have claimed this muse to be Guong Goong, God of Literature, and, simultaneously, although not coincidentally or triflingly, God of War, but I did not have such a gendered muse in mind then.
Shirley Geok-lin Lim
Image
John Milton famously claimed, Fame is the spur for the poet, and indeed when we consider the six years he spent writing Paradise Lost, and the additional years revising it, from 1664 to 1674, we may allow that spur.
Shirley Geok-lin Lim
Image
I think that's what, to me, also talks about the silences in my work - as a woman, a woman writer, when you say, no or you have to say, no so often to the writing occasion, those occasions don't really come back.
Shirley Geok-lin Lim
Image
Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot.
Shirley Geok-lin Lim
Image
I'm not sure why my muse is female, except when I am deliberately playing against that figure.
Shirley Geok-lin Lim
Image
I don't know where to place my body. Everyone notices that about me. I'm very restless.
Shirley Geok-lin Lim
Image
In various memoir pieces, I have traced the trajectory of yearning through decisions made, good and bad, that had somehow kept the ambition on track.
Shirley Geok-lin Lim
Image
Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.
Shirley Geok-lin Lim
Image
I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down.
Shirley Geok-lin Lim
Image
It is true that my characters have sex.
Shirley Geok-lin Lim
Image
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
Shirley Geok-lin Lim
Image
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Shirley Geok-lin Lim
Image
Poetry has roots, but they are sometimes cut off and still poetry is written.
Shirley Geok-lin Lim