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The machines men are so intent on making have carried them very far from the old sweet things.

Sherwood Anderson

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Sherwood Anderson
Age: 64 †
Born: 1876
Born: September 13
Died: 1941
Died: March 8
Novelist
Writer
Buck Fever
Things
Men
Intent
Carried
Machines
Sweet
Making

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It may be true of all relationships, not only between fathers and sons, but between men and women. Nothing seems fixed. Everything is always changing. We seem to have very little control over our emotional life.
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You won’t arrive. It is an endless search.
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The moment one of the people took one of the truths to himself, called it histruth, and tried to live his life by it, he became a grotesque and the truth he embraced a falsehood.
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Work accomplished means little. It is in the past. What we all want is the glorious and living present.
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It is no use. I find it impossible to work with security staring me in the face.
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The object of art is not to make salable pictures. It is to save yourself.
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I am pregnant with song. My body aches but do not betray me. I will sing songs and hide them away. I will tear them into bits and throw them in the street. The streets of my city are full of dark holes. I will hide my songs in the holes of the streets.
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The father spent his time talking and thinking of religion. He proclaimed himself an agnostic and was so absorbed in destroying the ideas of God that had crept into the minds of his neighbors that he never saw God manifesting himself in the little child that, half forgotten, lived here and there on the bounty of her dead mother's relatives.
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Dare to be strong and courageous. That is the road. Venture anything.
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Everyone in the world is Christ and they are all crucified.
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I had a world, and it slipped away from me. The War blew up more than the bodies of men....It blew ideas away.
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Those who are to follow the arts should have a training in what is called poverty. Given a comfortable middle-class start in life, the artist is almost sure to end up by becoming a bellyacher, constantly complaining because the public does not rush forward at once to proclaim him.
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Would it not be better to have it understood that realism, in so far as the word means reality to life, is always bad art -- although it may possibly be very good journalism?
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The writing of words can lead to all sorts of absurdities.
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I go about looking at horses and cattle. They eat grass, make love, work when they have to, bear their young. I am sick with envy of them.
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Dare to be strong and courageous. That is the road. Venture anything. Be brave enough to dare to be loved. Be something more than man or woman. Be Tandy.
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I have seldom written a story, long or short, that I did not have to write and rewrite. There are single stories of mine that have taken me ten or twelve years to get written.
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I am constantly amazed at how little painters know about painting, writers about writing, merchants about business, manufacturers about manufacturing. Most men just drift.
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The life of reality is confused, disorderly, almost always without apparent purpose, whereas in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form -- to make it true and real to the theme, not to life.
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I think you know that when an American stays away from New York too long something happens to him. Perhaps he becomes a little provincial, a little dead and afraid.
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