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When you start a TV show, you're not necessarily thinking, Are we setting up what we need for season seven? You're just trying to stay on the air, and you try to learn your job as you go, and do what you can.
Shawn Ryan
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Shawn Ryan
Age: 58
Born: 1966
Born: October 11
Film Producer
Screenwriter
Showrunner
Television Producer
Rockford
Illinois
Learn
Need
Season
Trying
Setting
Thinking
Necessarily
Seven
Stay
Start
Show
More quotes by Shawn Ryan
I've spent a lot of time thinking about what the audience would want. That's my job, is to anticipate ahead of the audience.
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I don't want my writing to be recognized.
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I have no problem at all going back and forth between cable and network.
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Everyone in Hollywood who is successful becomes less successful at some point. I'm just trying to delay that fall for as long as I can.
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I would say on a creative level I put a lot of pressure on myself.
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I've always read a lot of historical books and I'm a big fan of documentaries, and I've always thought of ways to do it.
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To this day, nothing makes me happier than finding a TV show I really love.
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One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.
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I'm very humble in terms of knowing that television is an extraordinary collaborative medium and that one person alone cannot make a great TV show.
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I'm perfectly happy to color within the network lines when I have to.
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The payment for sins can be delayed. But they cant be avoided.
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I always think it's better to take your time and go through a lot of ideas - and dismiss a lot of ideas - before figuring out where to land. It's a good way to care for your audience, too. If you spend hours and hours and days and weeks coming up with the ending, then there's a chance the fans won't figure it out on their own.
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I don't ever want to have a weak episode of television with my name on it.
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In order to appeal to a wider audience on network in order to survive, generally your characters need to be, at a base level, a little bit more likable.
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I've worked in network and cable on and off for a number of years, and you just understand what your parameters are. A lot of times, I think the best work that my team has come up with comes from having to deal with certain boundaries.
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I think the bar is higher these days in terms of audience expectations of authenticity.
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Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series.
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