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For years I was doing the excruciating weightlifting of writing scripts - but then I stayed thin and someone else got all the muscles.

Shane Black

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Shane Black
Age: 62
Born: 1961
Born: December 16
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Pittsburg
Pennsylvania
Someone
Writing
Years
Excruciating
Stayed
Thin
Muscles
Scripts
Else

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I have no power, and that's what's so humbling.
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I have a shoebox: for ideas, fragments, snatches of conversation I hear. I scrawl it down, throw the scraps in the box. Every time I start a new script I start picking through the pieces. Suddenly you get five pieces together and think: this is almost the first Act of a movie, if I flesh it out a bit.
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An action film can have too much action picture an equaliser on a stereo, with all the knobs pegged at 10. It becomes a cacophony and is, ultimately, quite boring.
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I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it.
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I owe a great deal of thanks to this man who will be gracious enough to say I've helped him with his career and comeback, but it's every bit the opposite.
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When you only have $15 million, you have to talk about something interesting. You can't just cut to a helicopter exploding.
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Writing scripts is a laborious job that can be a real pain.
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I'll say, what makes me happy about making movies is, every once in a while through movies we find a kind of honesty. There's an honesty in fiction that's as effective or even more powerful than the honesty of our lives. We can find something that's genuinely true, like a chemistry between people or a statement that speaks to an audience.
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I think it's very admirable, in a superhero movie, to be able to take a few risks.
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The worst of the action films are the ones where everything is one shout from beginning to finish. And there's no differentiation between beats, like small or big, or quiet or expansive. It's all just one loud shout.
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Directing comes closer than anything I’ve found yet to providing me with a good reason to get up in the morning that goes beyond just getting some money. Because all the money does is buy the bed. Getting out of it is the problem.
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I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession.
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Once you've got a concept and a sense of themes and what it's about, then you can start to add your plot and sort of Tetris in all of the elements that you want to see, but also attach them to something that has cohesion, like a mold.
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The only way you can stay on top is to remember to touch bottom and get back to basics.
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I wrote all the time, but the idea of doing it professionally seemed like pie in the sky. Who gets paid to write? I grew up in Pittsburgh, so it wasn't really a notion that a lot of people pursue.
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Once I started selling scripts for a great deal of money - action scripts, no less, which people tend to pooh-pooh anyway - then I started to get some backlash. Which I didn't mind.
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I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
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I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
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You have to keep surprising your audience.
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I've turned down lots and lots of work. Things that could have made me some money.
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