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I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
Film
Made
Hybrid
Kind
Italian
Think
Bottom
Thinking
Films
Type
American
Making

More quotes by Sergio Leone

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I realized than an author cannot also be a producer.
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Because the life that I live - the life that we all live - is filtered through [one's own] experience. It isn't necessarily optimistic when you look at the political phenomena, the different things that are going on in the world.
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My films are often characterized by the lack of women present in them, except for this last one [Once Upon a Time in America].
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It's very easy with the camera to show the positive side of something.
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From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
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I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
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Sometimes, I even recite the role to the actor if it's not clear. And I beg them not to imitate me, because I'm not a good actor.
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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I think that men of my generation - not me in particular - are among the most fortunate men in the universe.
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I can't see America any other way than with a European's eyes. It fascinates me and terrifies me at the same time.
Sergio Leone
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Charlie Chaplin, too, through spectacle, contraband certain ideas, put them through, ideas that even today are not being expressed by great statesmen and politicians.
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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I've always had the sensation that people in America are always avant-garde. Very attentive to all the new innovations. But it's very specialized.
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Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.
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Young people of this century, like my son, didn't live through all those things that went on during that period of time, from 1930 to 1950. They're missing that experience. To go from a bicycle to a vehicle that takes somebody to the moon - only we saw this kind of thing.
Sergio Leone
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I think even in American schools, they must be studying in a specialized manner.
Sergio Leone
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The Jesuits use this kind of training, or, let's say it this way: The Jesuit General imposes this kind of structure he encourages the young men to specialize. Because getting ten of them together, you have the best of everything. But this does not mean that this system is good for the Jesuits all over. They're all available to the cause.
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Probably the greatest writer of westerns himself was Homer. His character were never all good or all bad. They're half and half, these characters, as all human beings are.
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We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
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It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.
Sergio Leone