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I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
Feel
Italian
Feels
Director
Never
Directors
Think
Worry
Thinking
Almost
Away
Automatically
Become
Colleagues
Done
Isolated

More quotes by Sergio Leone

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I realized than an author cannot also be a producer.
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I've always had the sensation that people in America are always avant-garde. Very attentive to all the new innovations. But it's very specialized.
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Young people of this century, like my son, didn't live through all those things that went on during that period of time, from 1930 to 1950. They're missing that experience. To go from a bicycle to a vehicle that takes somebody to the moon - only we saw this kind of thing.
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We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
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My films are often characterized by the lack of women present in them, except for this last one [Once Upon a Time in America].
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There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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My mother was an actress. My father was an actor and a director. I am the son of filmmakers.
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From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
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Whoever would like to look and see what someone is saying behind all the show, glitter, scenery, whatever it may be, and see what ideas are being expressed beyond and below and above that, can do that, as well.
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It's natural to me that someone who loved that type of music or that type of spectacle would copy it, to do something, a video. It seems the most natural thing in the world to me.
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I consciously chose a person like the bounty killer [of the Fistful trilogy] because he was the street sweeper of the desert, a man who put his life at risk exclusively for the money. I'm not saying that he went against the law, but he put himself within the wings of the law only when it was something that he could profit by.
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The Jesuits use this kind of training, or, let's say it this way: The Jesuit General imposes this kind of structure he encourages the young men to specialize. Because getting ten of them together, you have the best of everything. But this does not mean that this system is good for the Jesuits all over. They're all available to the cause.
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Probably the greatest writer of westerns himself was Homer. His character were never all good or all bad. They're half and half, these characters, as all human beings are.
Sergio Leone
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I had never thought of making a western even as I was making it.
Sergio Leone
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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It's very easy with the camera to show the positive side of something.
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When you manage to express something with a look and the music instead of saying it with words or having the character speak, I think it's a more complete work.
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It's very difficult to be original.
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I have to be honest about one thing. When I want to America, no on asked me how I was. Everyone always asked me, How much do you make?
Sergio Leone