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I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
France
Renault
Six
Minerva
Strange
Platinum
Success
Diesel
Two
Commercials
Ideas
Oscar
Even
Oscars
Regular

More quotes by Sergio Leone

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From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
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When you manage to express something with a look and the music instead of saying it with words or having the character speak, I think it's a more complete work.
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The world is in America. In Italy is only Italy. France is full of France. Germany is full of Germany. In a continent that contains the entire world, contradictions are, of course, constantly arising.
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Producing films was a distraction for me for which I payed dearly.
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I had never thought of making a western even as I was making it.
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Because the life that I live - the life that we all live - is filtered through [one's own] experience. It isn't necessarily optimistic when you look at the political phenomena, the different things that are going on in the world.
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[The director] has to, I feel, be one step back, not only from cinema, but also from politics and all these issues in order to tell and depict the situation that spreads to people.
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I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
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There's my pessimism. Because I didn't know yet that type of film is always going to become more extinct, that there won't be anymore. Because there will always be more films that win five Oscars like Terms of Endearment.
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It's very easy with the camera to show the positive side of something.
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I have to be honest about one thing. When I want to America, no on asked me how I was. Everyone always asked me, How much do you make?
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I think that men of my generation - not me in particular - are among the most fortunate men in the universe.
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All the people I've met, many outside of cinema, knew everything perfectly about one thing or one subject or one area.
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America is so varied and exciting that after six months, you go back and find it completely changed.
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I'm not saying that the Americans had the same impact as the Jesuits, but I do see them as a very specialized populace, even in terms of being, to a degree, naïve. Because naiveté comes from lack of information.
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It's very difficult to be original.
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It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.
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My mother was an actress. My father was an actor and a director. I am the son of filmmakers.
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