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It's natural to me that someone who loved that type of music or that type of spectacle would copy it, to do something, a video. It seems the most natural thing in the world to me.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
Something
Video
Would
Type
World
Loved
Natural
Someone
Seems
Spectacle
Music
Copy
Thing
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More quotes by Sergio Leone

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I think politics should be expressed in this way and not in other ways. And not just politics - sentiments, even certain states of being.
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I can't see America any other way than with a European's eyes. It fascinates me and terrifies me at the same time.
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Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.
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I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
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I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
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I think even in American schools, they must be studying in a specialized manner.
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Whoever would like to look and see what someone is saying behind all the show, glitter, scenery, whatever it may be, and see what ideas are being expressed beyond and below and above that, can do that, as well.
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Producing films was a distraction for me for which I payed dearly.
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The Jesuits use this kind of training, or, let's say it this way: The Jesuit General imposes this kind of structure he encourages the young men to specialize. Because getting ten of them together, you have the best of everything. But this does not mean that this system is good for the Jesuits all over. They're all available to the cause.
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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Sometimes, I even recite the role to the actor if it's not clear. And I beg them not to imitate me, because I'm not a good actor.
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There are directors, and there are authors. I think I am more of an author than a director.
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Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.
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All the people I've met, many outside of cinema, knew everything perfectly about one thing or one subject or one area.
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When you manage to express something with a look and the music instead of saying it with words or having the character speak, I think it's a more complete work.
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There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
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My mother was an actress. My father was an actor and a director. I am the son of filmmakers.
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We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
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In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life - in jeeps - and upset all my dreams.
Sergio Leone