Quote

The very fact of seeking specialization is probably what makes America so great in these two hundred years. But also, the sensation that somebody who wants to understand America doesn't really need to visit it much.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
Years
Doesn
Hundred
Really
Two
Wants
Also
Somebody
America
Probably
Specialization
Need
Fact
Sensation
Great
Understand
Visit
Needs
Facts
Sensations
Much
Makes
Seeking

More quotes by Sergio Leone

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Producing films was a distraction for me for which I payed dearly.
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My films are often characterized by the lack of women present in them, except for this last one [Once Upon a Time in America].
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It's very easy with the camera to show the positive side of something.
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I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.
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I consciously chose a person like the bounty killer [of the Fistful trilogy] because he was the street sweeper of the desert, a man who put his life at risk exclusively for the money. I'm not saying that he went against the law, but he put himself within the wings of the law only when it was something that he could profit by.
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I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
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All the people I've met, many outside of cinema, knew everything perfectly about one thing or one subject or one area.
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In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life - in jeeps - and upset all my dreams.
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It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.
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There's my pessimism. Because I didn't know yet that type of film is always going to become more extinct, that there won't be anymore. Because there will always be more films that win five Oscars like Terms of Endearment.
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I had never thought of making a western even as I was making it.
Sergio Leone
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
Sergio Leone
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There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
Sergio Leone
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I think that men of my generation - not me in particular - are among the most fortunate men in the universe.
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Charlie Chaplin, too, through spectacle, contraband certain ideas, put them through, ideas that even today are not being expressed by great statesmen and politicians.
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I'm not saying that the Americans had the same impact as the Jesuits, but I do see them as a very specialized populace, even in terms of being, to a degree, naïve. Because naiveté comes from lack of information.
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I don't want to do a war film per se. Nor do I want to do a political film.
Sergio Leone