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I've always had the sensation that people in America are always avant-garde. Very attentive to all the new innovations. But it's very specialized.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
Sensations
Innovation
America
Garde
Always
Specialized
People
Avant
Attentive
Innovations
Sensation

More quotes by Sergio Leone

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Because the life that I live - the life that we all live - is filtered through [one's own] experience. It isn't necessarily optimistic when you look at the political phenomena, the different things that are going on in the world.
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I think politics should be expressed in this way and not in other ways. And not just politics - sentiments, even certain states of being.
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There's my pessimism. Because I didn't know yet that type of film is always going to become more extinct, that there won't be anymore. Because there will always be more films that win five Oscars like Terms of Endearment.
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I don't want to do a war film per se. Nor do I want to do a political film.
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Producing films was a distraction for me for which I payed dearly.
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It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.
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I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.
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Charlie Chaplin, too, through spectacle, contraband certain ideas, put them through, ideas that even today are not being expressed by great statesmen and politicians.
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We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
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I think that men of my generation - not me in particular - are among the most fortunate men in the universe.
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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I realized than an author cannot also be a producer.
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Probably the greatest writer of westerns himself was Homer. His character were never all good or all bad. They're half and half, these characters, as all human beings are.
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My films are often characterized by the lack of women present in them, except for this last one [Once Upon a Time in America].
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I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
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The very fact of seeking specialization is probably what makes America so great in these two hundred years. But also, the sensation that somebody who wants to understand America doesn't really need to visit it much.
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From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
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In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life - in jeeps - and upset all my dreams.
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The Jesuits use this kind of training, or, let's say it this way: The Jesuit General imposes this kind of structure he encourages the young men to specialize. Because getting ten of them together, you have the best of everything. But this does not mean that this system is good for the Jesuits all over. They're all available to the cause.
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Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.
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