Quote

In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life - in jeeps - and upset all my dreams.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
America
Abruptly
Real
Entered
Life
Upset
Like
Childhood
Americans
Dreams
Religion
Dream
Jeeps

More quotes by Sergio Leone

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From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
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Producing films was a distraction for me for which I payed dearly.
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There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
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I think politics should be expressed in this way and not in other ways. And not just politics - sentiments, even certain states of being.
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My mother was an actress. My father was an actor and a director. I am the son of filmmakers.
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I'm not saying that the Americans had the same impact as the Jesuits, but I do see them as a very specialized populace, even in terms of being, to a degree, naïve. Because naiveté comes from lack of information.
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There are directors, and there are authors. I think I am more of an author than a director.
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I realized than an author cannot also be a producer.
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I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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I consciously chose a person like the bounty killer [of the Fistful trilogy] because he was the street sweeper of the desert, a man who put his life at risk exclusively for the money. I'm not saying that he went against the law, but he put himself within the wings of the law only when it was something that he could profit by.
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Probably the greatest writer of westerns himself was Homer. His character were never all good or all bad. They're half and half, these characters, as all human beings are.
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It's very easy with the camera to show the positive side of something.
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I have to be honest about one thing. When I want to America, no on asked me how I was. Everyone always asked me, How much do you make?
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Whoever would like to look and see what someone is saying behind all the show, glitter, scenery, whatever it may be, and see what ideas are being expressed beyond and below and above that, can do that, as well.
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America is so varied and exciting that after six months, you go back and find it completely changed.
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It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.
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We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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The function of the flashback is Freudian...You have to let them wander like the imagination or like a dream.
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