Quote

In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life - in jeeps - and upset all my dreams.

Sergio Leone

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Sergio Leone
Age: 60 †
Born: 1929
Born: January 3
Died: 1989
Died: April 30
Actor
Composer
Film Actor
Film Director
Film Producer
Manufacturer
Screenwriter
The Eternal City
Bob Robertson
Real
Entered
Life
Upset
Like
Childhood
Americans
Dreams
Religion
Dream
Jeeps
America
Abruptly

More quotes by Sergio Leone

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I can't see America any other way than with a European's eyes. It fascinates me and terrifies me at the same time.
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I have to be honest about one thing. When I want to America, no on asked me how I was. Everyone always asked me, How much do you make?
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I'm not saying that the Americans had the same impact as the Jesuits, but I do see them as a very specialized populace, even in terms of being, to a degree, naïve. Because naiveté comes from lack of information.
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The function of the flashback is Freudian...You have to let them wander like the imagination or like a dream.
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Just go to Disneyland. You have the impact of how the Americans think, how they dream, what they desire, how they have a good time, what they prefer. I associate this with young people. But many times I think this infantile quality is much better than the false, incomplete concept of adulthood.
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I think even in American schools, they must be studying in a specialized manner.
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Because the life that I live - the life that we all live - is filtered through [one's own] experience. It isn't necessarily optimistic when you look at the political phenomena, the different things that are going on in the world.
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Sometimes, I even recite the role to the actor if it's not clear. And I beg them not to imitate me, because I'm not a good actor.
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I think that men of my generation - not me in particular - are among the most fortunate men in the universe.
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There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
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Charlie Chaplin, too, through spectacle, contraband certain ideas, put them through, ideas that even today are not being expressed by great statesmen and politicians.
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Producing films was a distraction for me for which I payed dearly.
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Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.
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Whoever would like to look and see what someone is saying behind all the show, glitter, scenery, whatever it may be, and see what ideas are being expressed beyond and below and above that, can do that, as well.
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It's very easy with the camera to show the positive side of something.
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The world is in America. In Italy is only Italy. France is full of France. Germany is full of Germany. In a continent that contains the entire world, contradictions are, of course, constantly arising.
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America is so varied and exciting that after six months, you go back and find it completely changed.
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We're talking a very cultivated people, but I found as cultivated as they were, they were uninformed about the personages who weren't American. They knew everything about America, but much less about other countries.
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The Jesuits use this kind of training, or, let's say it this way: The Jesuit General imposes this kind of structure he encourages the young men to specialize. Because getting ten of them together, you have the best of everything. But this does not mean that this system is good for the Jesuits all over. They're all available to the cause.
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I don't want to do a war film per se. Nor do I want to do a political film.
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