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Poetry cannot afford to lose its fundamentally self-delighting inventiveness, its joy in being a process of language as well as a representation of things in the world.
Seamus Heaney
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Seamus Heaney
Age: 74 †
Born: 1939
Born: April 13
Died: 2013
Died: August 30
Actor
Author
Linguist
Playwright
Poet
Translator
University Teacher
Writer
Seamus Justin Heaney
Seamus Heaney
World
Loses
Delighting
Language
Inventiveness
Process
Fundamentally
Cannot
Representation
Wells
Afford
Well
Poetry
Self
Lose
Things
Joy
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I suppose I'm saying that defiance is actually part of the lyric job
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Walk on air against your better judgement.
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I rhyme… to see myself, to set the darkness echoing.
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Best to say that once a poem is finished I trust it to make its way, and I trust readers will find their way to it and through it, if the thing has got itself rightly expressed.
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Poetry is language in orbit.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland - it operates not as a class system, but a caste system.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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Strange, it is a huge nothing that we fear.
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The next move is always the test.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself - as a vocation and an elevation almost.
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The completely solitary self: that's where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.
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I've always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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Once off the bush The fruit fermented, the sweet flesh would turn sour. I always felt like crying. It wasn't fair That all the lovely canfuls smelt of rot. Each year I hoped they'd keep, knew they would not. -Blackberry picking
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The way we are living, timorous or bold, will have been our life.
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I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing.
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If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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