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I might enjoy being an albatross, being able to glide for days and daydream for hundreds of miles along the thermals. And then being able to hang like an affliction round some people's necks.
Seamus Heaney
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Seamus Heaney
Age: 74 †
Born: 1939
Born: April 13
Died: 2013
Died: August 30
Actor
Author
Linguist
Playwright
Poet
Translator
University Teacher
Writer
Seamus Justin Heaney
Seamus Heaney
Round
Albatross
Like
Rounds
Daydream
People
Miles
Glide
Along
Daydreaming
Days
Affliction
Necks
Enjoy
Hundreds
Able
Hang
Might
More quotes by Seamus Heaney
I've always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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The next move is always the test.
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Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a re-tuning of the world itself.
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Strange, it is a huge nothing that we fear.
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There is risk and truth to yourselves and the world before you.
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My body was braille for the creeping influences.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland - it operates not as a class system, but a caste system.
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The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.
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Write whatever you like!
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I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing.
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You had to come back to learn how to lose yourself, to be pilot and stray-witch, Hansel and Gretel in one.
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Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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Once I was on the job, once I had got started, I felt safe enough, but the anticipation made me tense.
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Anything Can Happen is also, incidentally, a poem that arose from teaching. I'd talked about the Horace Ode (I, 34) [on which the poem is based] in a lecture I gave at Harvard in the fall of 2000 entitled Bright Boltsand remembered it after the Twin Towers attack.
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I am not a playwright. A playwright would take Antigone and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
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I can't think of a case where poems changed the world, but what they do is they change people's understanding of what's going on in the world.
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Behaviour that's admired is the path to power among people everywhere.
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The completely solitary self: that's where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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