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I've nothing against the Queen personally: I had lunch at the Palace once upon a time.
Seamus Heaney
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Seamus Heaney
Age: 74 †
Born: 1939
Born: April 13
Died: 2013
Died: August 30
Actor
Author
Linguist
Playwright
Poet
Translator
University Teacher
Writer
Seamus Justin Heaney
Seamus Heaney
Palaces
Queen
Queens
Lunch
Personally
Upon
Nothing
Time
Palace
More quotes by Seamus Heaney
There is risk and truth to yourselves and the world before you.
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The end of art is peace.
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My body was braille for the creeping influences.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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Sink every impulse like a bolt. Secure The bastion of sensation. Do not waver Into language. Do not waver in it.
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But that citizen's perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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I am not a playwright. A playwright would take Antigone and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
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Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a re-tuning of the world itself.
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Now it’s high watermark and floodtide in the heart and time to go. The sea-nymphs in the spray will be the chorus now. What’s left to say? Suspect too much sweet-talk but never close your mind. It was a fortunate wind that blew me here. I leave half-ready to believe that a crippled trust might walk and the half-true rhyme is love.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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Even if the last move did not succeed, the inner command says move again.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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I can't think of a case where poems changed the world, but what they do is they change people's understanding of what's going on in the world.
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I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing.
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The dotted line my father's ashplant made On Sandymount Strand Is something else the tide won't wash away.
Seamus Heaney
Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
Seamus Heaney
Poetry is language in orbit.
Seamus Heaney
My point is there's a hidden Scotland in anyone who speaks the Northern Ireland speech. It's a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
Seamus Heaney
The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.
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I rhyme… to see myself, to set the darkness echoing.
Seamus Heaney