Quote

It's got big riffs and really it's a rock and roll album. I think Stone Temple Pilots and Velvet Revolver fans will relate to that

Scott Weiland

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Scott Weiland
Age: 48 †
Born: 1967
Born: October 27
Died: 2015
Died: December 3
Composer
Guitarist
Lyricist
Musician
Record Producer
Singer
Singer-Songwriter
Songwriter
Santa Cruz
California
Scott Richard Kline
Scott Richard Weiland
Think
Albums
Revolver
Thinking
Relate
Velvet
Stones
Temple
Rock
Pilots
Rocks
Temples
Fans
Album
Bigs
Stone
Really
Roll
Riffs

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I'm going to take care of myself because that's what I need to take care of.
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Eventually I want to subsidize my income with other creative outlets that are going to not keep me tied to the road so much.
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I'd sell one of my songs for any car commercial in the world that paid enough money. But to stay in the Top Ten for weeks on end when I'm in my forties by letting Glen Ballard write songs for me? F**k that.
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Writing the songs and producing the songs and arranging them and recording them is your canvas and your palette and your brush.
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When I'm not completely loaded, it's a much more vulnerable place. I can feel the music, I can feel the energy and I really have to put it out there. When I was loaded, I was just oblivious.
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It's better to not set your expectations high. And that's what happens when you have a long career - not every album is going to be record setting.
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Music, as many people have said, is the universal language. Of course points are made which make you think about things, but ultimately it makes you feel. And that's why people remember more songs that have meant something during their life than films. They start to define periods in your life, and that's kind of the beauty of it.
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You know, you've got to be careful with how you educate your kids in rock'n'roll fashion.
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It's incredibly stressful when the person you love is having a child.
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Rock and roll doesn't allow you to grow up - especially if you're not trying very hard to.
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When people ask me if I have a hobby, a lot of times my answer is that I like to surf in warm water. I like to ski, if I have the opportunity. But really, I like to go to my studio and write music that I want to write, where there's no pressure to come up with a hit single.
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To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.
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I tend to get my hands into all these other things and all these distractions, and after a while I start feeling depleted.
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There's a beauty in being part of a band, when there's equality and trust.
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The thing is, unfortunately, I write the best songs when I'm miserable.
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It's a beautiful thing to be that committed to something that you get so much joy from, but it is like a sick addiction, because sometimes it's incredibly volatile, incredibly painful, and very frustrating. A man shouldn't be defined by his work, but I am.
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It seems like everyone's got an agenda, and the agenda seems to be selling magazines or air time with sensational stories.
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When you're really looking forward to something, you don't feel the sense of pressure.
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Dead fish don't swim around in jealous tides.
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