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I spend my time sitting in train stations, parks, parking lots, cafes, just looking at people - eavesdropping, basically. I'm vulnerable to all of it.

Saul Williams

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Saul Williams
Age: 52
Born: 1972
Born: February 29
Actor
Composer
Film Actor
Musician
Poet
Rapper
Screenwriter
Singer
Television Actor
Voice Actor
Writer
Newburgh
New York
Saul Stacey Williams
Looking
Stations
Time
Parks
People
Vulnerable
Lots
Basically
Train
Eavesdropping
Sitting
Cafes
Spend
Parking

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Niggy Tardust' is the voice of a generation, a generation that does not define itself simply by what it's born into.
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I was fed by the music I listened to as a kid. Hip-hop fed me psychologically, spiritually, politically. I learned from that music.
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There's so much to be found in literature, especially if you don't have the money to travel or the means to get out of your neighborhood or get off work.
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A lie preserved in stained glass doesn't make it more true.
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I remember back in the day when Chuck D called hip-hop the black people's CNN. Well now, hip-hop is more like Fox News. It's biased, and highly suspect.
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It was always important to me to be that kid who could rock the party as well as rock the English professor's mind.
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If you're just addressing your own emotions and challenging yourself to find some sort of harmonious sense of being in life and questioning authority and questioning what's given and questioning what's expected of you, you're already on the cusp of finding something in yourself, and maybe waking something in somebody else.
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There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, “yes,” in the same way that they would in conversation with a loved one, a parent, professor, or minister.
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My father's a preacher, my mother's a teacher, thus... I rhyme.
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When I wake up in the morning, the first things that I see are the clouds. They're right there. I look out my window now and there's always, always a black bird of some sort on the ledge there. Usually I wake up and look at the birds.
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American culture is often so self-consumed that we often think that our problems are just our problems.
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I have a very family-like connection to hip-hop, which is why it frustrates me so much.
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When I look at certain aspects of popular culture - not everything because I like a lot of things - sometimes my heart breaks a little bit, just a little bit. I begin to ponder what happened to this generation, I don't know.
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It's not the rules everywhere, you know? That's not the rules everywhere - that things have to be dumbed down in order to become massively popular. And that hasn't always been the rule, even in America.
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I've always been inspired by a lot of work coming out of the UK
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The role that theater has placed in enhancing consciousness and moving systems ahead. I think of what South African theater meant for the apartheid movement, for example. I think of what music has meant for so many social movements across time.
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I surrendered my beliefs and found myself at the tree of life injecting my story into the veins of leaves only to find that stories like forests are subject to seasons
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Fax me a fact and I'll telegram a hologram or telephone the son of man and tell him he is done. Leave a message on his answering machine telling him there are none. God and I are one. Times moon. Times star. Times sun. The factor is me. You remember me.
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Сommercial hip-hop is not youth rebellion, not when the heroes of hip-hop like Puffy are taking pictures with Donald Trump and the heroes of capitalism - you know that's not rebellion. That's not the street - that's Wall Street.
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I think everything has its place. So if the ideas or the fluidity isn't coming in writing, maybe it's related to ingestions.
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