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I spend my time sitting in train stations, parks, parking lots, cafes, just looking at people - eavesdropping, basically. I'm vulnerable to all of it.

Saul Williams

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Saul Williams
Age: 52
Born: 1972
Born: February 29
Actor
Composer
Film Actor
Musician
Poet
Rapper
Screenwriter
Singer
Television Actor
Voice Actor
Writer
Newburgh
New York
Saul Stacey Williams
Sitting
Cafes
Spend
Parking
Looking
Stations
Time
Parks
People
Vulnerable
Lots
Basically
Train
Eavesdropping

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the anchor man thrown overboard has simply rooted us in history's repeating cycle
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I was fed by the music I listened to as a kid. Hip-hop fed me psychologically, spiritually, politically. I learned from that music.
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I've never believed it's really so important that you conform to the ways of the system in order to beat the system. I think that the system follows a great deal.
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Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
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I was always making up rhymes. But I never thought that poetry would become my life.
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The downfall of the industry seems to actually be good for art. I think the industry will find their way once the focus shifts from its greed-based origins, downsizes, and begins to support creative visions that speak to our times and shifting ideals.
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There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, “yes,” in the same way that they would in conversation with a loved one, a parent, professor, or minister.
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I want to connect music to its highest power - which is heightening consciousness and affecting people's reality. That can't be done in normal ways, not according to my experience.
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I'm very excited about the resurgence of vinyl which seems to parallel a growing interest in live performance.
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There is nothing more negligent than attempting to address a problem one finds on a branch than by censoring the leaves.
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The only reason I've been so critical of hip-hop is because I've always been aware of the effect that it has, and the reflection that it gives of the African-American community.
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If you're just addressing your own emotions and challenging yourself to find some sort of harmonious sense of being in life and questioning authority and questioning what's given and questioning what's expected of you, you're already on the cusp of finding something in yourself, and maybe waking something in somebody else.
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I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
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Half of the popcorn sh-t that's out there, we know it's popcorn. But we're like, It's my guilty pleasure. I feel like we have more guilty pleasure than actual f - kin' pleasure.
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