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It's crazy when you see very little reflection between what's played on the radio and what people are talking about in the streets. It lets you know how far off we are from a real movement.

Saul Williams

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Saul Williams
Age: 52
Born: 1972
Born: February 29
Actor
Composer
Film Actor
Musician
Poet
Rapper
Screenwriter
Singer
Television Actor
Voice Actor
Writer
Newburgh
New York
Saul Stacey Williams
Real
Radio
People
Played
Streets
Movement
Crazy
Talking
Littles
Lets
Little
Reflection

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I think everybody on this planet does that - trying to capture your dream after you wake up.
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I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
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When I finally decide that I'm ready to get out of bed, it could be the sunlight, it could be the fact that I'm awake, and, OK, first of all, I wake up in the morning because I have to go to the bathroom.
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I'm very excited about the resurgence of vinyl which seems to parallel a growing interest in live performance.
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Legislation won't necessarily start a riot. But the right song can make someone pick up a chair.
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I want to connect music to its highest power - which is heightening consciousness and affecting people's reality. That can't be done in normal ways, not according to my experience.
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I surrendered my beliefs and found myself at the tree of life injecting my story into the veins of leaves only to find that stories like forests are subject to seasons
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The music aids the message, it's there to punctuate and abbreviate and shape the silence
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The role that theater has placed in enhancing consciousness and moving systems ahead. I think of what South African theater meant for the apartheid movement, for example. I think of what music has meant for so many social movements across time.
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Some rather seek up high Than dig and grind that inner truth
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I've never believed it's really so important that you conform to the ways of the system in order to beat the system. I think that the system follows a great deal.
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What's wrong with hip-hop is the system that controls the definition of it. There needs to be more balance on the airwaves.
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I was fed by the music I listened to as a kid. Hip-hop fed me psychologically, spiritually, politically. I learned from that music.
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American culture is often so self-consumed that we often think that our problems are just our problems.
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If we're gonna progress as a people we are going to realise that, as one of my favourite poets says, the other is a lie. There are no other people. Race is a social construct.
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I was always making up rhymes. But I never thought that poetry would become my life.
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It's not the rules everywhere, you know? That's not the rules everywhere - that things have to be dumbed down in order to become massively popular. And that hasn't always been the rule, even in America.
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Half of the popcorn sh-t that's out there, we know it's popcorn. But we're like, It's my guilty pleasure. I feel like we have more guilty pleasure than actual f - kin' pleasure.
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Art can play a major role. I look at art as an alternative source of energy, the same way we might look at wind or solar or lithium batteries.
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Hip-hop is too young to put a definition on it
Saul Williams