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It's crazy when you see very little reflection between what's played on the radio and what people are talking about in the streets. It lets you know how far off we are from a real movement.

Saul Williams

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Saul Williams
Age: 52
Born: 1972
Born: February 29
Actor
Composer
Film Actor
Musician
Poet
Rapper
Screenwriter
Singer
Television Actor
Voice Actor
Writer
Newburgh
New York
Saul Stacey Williams
Movement
Crazy
Talking
Littles
Lets
Little
Reflection
Real
Radio
People
Played
Streets

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A lie preserved in stained glass doesn't make it more true.
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The music aids the message, it's there to punctuate and abbreviate and shape the silence
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I think that heartbreak is a good thing.
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Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
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Fax me a fact and I'll telegram a hologram or telephone the son of man and tell him he is done. Leave a message on his answering machine telling him there are none. God and I are one. Times moon. Times star. Times sun. The factor is me. You remember me.
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Half of the popcorn sh-t that's out there, we know it's popcorn. But we're like, It's my guilty pleasure. I feel like we have more guilty pleasure than actual f - kin' pleasure.
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It was always important to me to be that kid who could rock the party as well as rock the English professor's mind.
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My father's a preacher, my mother's a teacher, thus... I rhyme.
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I want to connect music to its highest power - which is heightening consciousness and affecting people's reality. That can't be done in normal ways, not according to my experience.
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I spend my time sitting in train stations, parks, parking lots, cafes, just looking at people - eavesdropping, basically. I'm vulnerable to all of it.
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It's not the rules everywhere, you know? That's not the rules everywhere - that things have to be dumbed down in order to become massively popular. And that hasn't always been the rule, even in America.
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I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
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What's wrong with hip-hop is the system that controls the definition of it. There needs to be more balance on the airwaves.
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If not then you must be trying to hear us and in such cases we cannot be heard. We remain in the darkness, unseen. In the center of unpeeled bananas, we exist. Uncolored by perception. Clothed to the naked eye. Five senses cannot sense the fact of our existence. And that's the only fact. In fact, there are no facts.
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Books are carefully folded forests/void of autumn/bound from the sun
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There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, “yes,” in the same way that they would in conversation with a loved one, a parent, professor, or minister.
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I am hoping for peaceful transition into a new age. Obama has already played a great role in initiating us into that vision. If he were to be harmed in any way, it would spawn the birth of a million Obamas.
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Сommercial hip-hop is not youth rebellion, not when the heroes of hip-hop like Puffy are taking pictures with Donald Trump and the heroes of capitalism - you know that's not rebellion. That's not the street - that's Wall Street.
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I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
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Niggy Tardust' is the voice of a generation, a generation that does not define itself simply by what it's born into.
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