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The only reason I've been so critical of hip-hop is because I've always been aware of the effect that it has, and the reflection that it gives of the African-American community.

Saul Williams

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Saul Williams
Age: 52
Born: 1972
Born: February 29
Actor
Composer
Film Actor
Musician
Poet
Rapper
Screenwriter
Singer
Television Actor
Voice Actor
Writer
Newburgh
New York
Saul Stacey Williams
Gives
Hops
Community
Hips
American
African
Reason
Reflection
Giving
Effect
Always
Critical
Aware
Effects

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When I finally decide that I'm ready to get out of bed, it could be the sunlight, it could be the fact that I'm awake, and, OK, first of all, I wake up in the morning because I have to go to the bathroom.
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Books are carefully folded forests/void of autumn/bound from the sun
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I spend my time sitting in train stations, parks, parking lots, cafes, just looking at people - eavesdropping, basically. I'm vulnerable to all of it.
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A lie preserved in stained glass doesn't make it more true.
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I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
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When I look at certain aspects of popular culture - not everything because I like a lot of things - sometimes my heart breaks a little bit, just a little bit. I begin to ponder what happened to this generation, I don't know.
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I think everything has its place. So if the ideas or the fluidity isn't coming in writing, maybe it's related to ingestions.
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I don't really believe in writer's block or anything like that. If I'm not feeling words, I may pick up an instrument and play with sounds or delve into different types of creativity and expression.
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I surrendered my beliefs and found myself at the tree of life injecting my story into the veins of leaves only to find that stories like forests are subject to seasons
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Some rather seek up high Than dig and grind that inner truth
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I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
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Your library teacher would say, What happens to a generation that doesn't read the Classics? Me, I'm not your library teacher. But I have some of the same questions and concerns, you know?
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American culture is often so self-consumed that we often think that our problems are just our problems.
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The downfall of the industry seems to actually be good for art. I think the industry will find their way once the focus shifts from its greed-based origins, downsizes, and begins to support creative visions that speak to our times and shifting ideals.
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My father's a preacher, my mother's a teacher, thus... I rhyme.
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What's wrong with hip-hop is the system that controls the definition of it. There needs to be more balance on the airwaves.
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I am hoping for peaceful transition into a new age. Obama has already played a great role in initiating us into that vision. If he were to be harmed in any way, it would spawn the birth of a million Obamas.
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Music has always pushed ahead social movements and can do much more than just dumb down a populace.
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I want to connect music to its highest power - which is heightening consciousness and affecting people's reality. That can't be done in normal ways, not according to my experience.
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There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, “yes,” in the same way that they would in conversation with a loved one, a parent, professor, or minister.
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