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The only reason I've been so critical of hip-hop is because I've always been aware of the effect that it has, and the reflection that it gives of the African-American community.

Saul Williams

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Saul Williams
Age: 52
Born: 1972
Born: February 29
Actor
Composer
Film Actor
Musician
Poet
Rapper
Screenwriter
Singer
Television Actor
Voice Actor
Writer
Newburgh
New York
Saul Stacey Williams
Always
Critical
Aware
Effects
Gives
Hops
Community
Hips
American
African
Reason
Reflection
Giving
Effect

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I have a very family-like connection to hip-hop, which is why it frustrates me so much.
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Dying is something you have no control over. Why waste your life being afraid of it?
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If we're gonna progress as a people we are going to realise that, as one of my favourite poets says, the other is a lie. There are no other people. Race is a social construct.
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I spend my time sitting in train stations, parks, parking lots, cafes, just looking at people - eavesdropping, basically. I'm vulnerable to all of it.
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American culture is often so self-consumed that we often think that our problems are just our problems.
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I think everybody on this planet does that - trying to capture your dream after you wake up.
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Hip-hop is still cool at a party. But to me, hip-hop has never been strictly a party it is also there to elevate consciousness.
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It's not the rules everywhere, you know? That's not the rules everywhere - that things have to be dumbed down in order to become massively popular. And that hasn't always been the rule, even in America.
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If not then you must be trying to hear us and in such cases we cannot be heard. We remain in the darkness, unseen. In the center of unpeeled bananas, we exist. Uncolored by perception. Clothed to the naked eye. Five senses cannot sense the fact of our existence. And that's the only fact. In fact, there are no facts.
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When I finally decide that I'm ready to get out of bed, it could be the sunlight, it could be the fact that I'm awake, and, OK, first of all, I wake up in the morning because I have to go to the bathroom.
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Art can play a major role. I look at art as an alternative source of energy, the same way we might look at wind or solar or lithium batteries.
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I've never believed it's really so important that you conform to the ways of the system in order to beat the system. I think that the system follows a great deal.
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I feel pretty vulnerable all the time.
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Some rather seek up high Than dig and grind that inner truth
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i am like a survivor of the flood walking through the streets drenched with God surprised that all of the drowned victims are still walking and talking
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What I'm aiming to do within hip-hop is to point out that the music itself is powerful it reaches so many people.
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Honestly, I don't always want to get up in the mornings, but I do anyway.
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Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
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I'm somewhat of an empath, I would say. I relate easily to ideas and stories, books, films, music. I'm moved by all of these things. Art in general. But not just art, you know?
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My father's a preacher, my mother's a teacher, thus... I rhyme.
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