In high school, people are sometimes encouraged to be like everyone else. What's so great about this show is that these kids are weird and different and over-achievers. They know what they want and they're going after it. They're weird and they don't deny it. That's what makes it special.

Portraying this character [Diwata] has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl should be.

What makes me happy about the show, and what I hope people take away from it is: Just be yourself. I know that's supremely corny, but I really think that just being honest with yourself and being honest with everyone around you is the best way to live.

I'm taking a pretty light load. I'm doing well. Gideon and Jason are both in school too, so we find time between shows to get work done, and during the day. I really like Columbia. Unlike high school, I don't feel any pressure to get straight-As. I just like learning.

When I was a little younger, I really did love musical theatre in the same hopeless dorky way that she does. I was obsessed with Jesus Christ Superstar and I used to reenact it in my room when no one was home.

Kids dealing with these really adult-problems. I'm making big, generalized statements but our culture doesn't acknowledge these things. Sex does lead to pregnancy! Kids don't always have an outlet or someone they can talk to about it.

I think that's also why it's so exciting. I really believe this play is important these are issues that people don't talk about. Certainly they never talked about this type of thing at my high school. That's what makes it so hard for kids. But it is something that people do go through.

Talk about high school and what we identify with in the play things that have happened to us and all of our high school experiences that we could bring to this. And to talk about what everyone knows in each specific scene.

I think the ultimate goal is that when we're off-stage, we know everything our character is thinking. Hopefully when we are on-stage, our thoughts are our character's thoughts because we really know that much about them.