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The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.

Sarah Paulson

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Sarah Paulson
Age: 50
Born: 1974
Born: December 17
Actor
Film Actor
Film Actress
Stage Actor
Television Actor
Tampa
Florida
Sarah Catharine Paulson
Bigs
Hard
Long
Conjunction
Conjunctions
Commitment
Theater
Especially
Television

More quotes by Sarah Paulson

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I like that feeling in your brain when you've got seven things that you're holding in one moment-you heard that person cough, you heard that person laugh, you're also saying your line, you're also listening to the person who's talking to you.
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I have been sitting around waiting for an opportunity to get to do something that matters for so long. Not just that matters in the world, which I think that season, in particular, had a very important meaning for a lot of people, but for me, as an actress.
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To not have any hope is where things start to get really bleak. Things are possible. The impossible can be possible.
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The thing I worry about for myself is I spend a lot of time alone, and another person comes around and you're like, 'What are you doing here? Get out of here.
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I remember feeling the temperature change the first time the curtain came up, the difference between the audience temperature and the stage temperature. I'll never forget it.
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Playing Sally McKenna was a wonderful, freeing thing because we all in life have so many responsibilities to ourselves, to other people, that we rarely get to explore a very selfish side of ourselves in doing what we want, when we want, how we want, without answering to or being responsible for anyone else.
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The idea of being on a show where each season stands alone, and you can come back the next year and show an entirely different aspect of your personality or your talent or your anything is an enormous gift that you rarely get in television.
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I was constantly, always and forever, trying to perform the musical 'Annie' for anyone who would listen, and I have a terrible singing voice. It was the first thing that made me think I wanted to be an actress.
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Nobody could ever say as many terrible things to me as I say to myself.
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I could never have thought, I wanna play a two-headed woman. That just never would have occurred to me, in a million years.
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All of my friends went to college and I got a job at Circle Pizza, where I worked for 24 hours. I had to call my mother four times to ask her how to spell Parmesan. I'm not kidding. I was a terrible speller. I think I was really nervous that I somehow didn't feel right out in the world in that way.
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I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.
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There are rules, and when certain things happen, there are ceratin consequences.
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I'm interested in telling the character's story, not my beliefs, political or otherwise.
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I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play. I just hope someone wants to cast me in something.
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I'm sporting some really blonde hair because I live in Hollywood and I'm an actress.
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It's OK to sit in the Golden Globe room and look around and think, 'Oh, Helen Mirren's a loser tonight, so is Nicole Kidman. Meryl Streep lost tonight. Jessica Lange didn't win.' If you're gonna be in the company of losers, that's the company to be in.
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I am a person who is not mated.
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When I have brown hair I feel the most like myself, but I don't feel glamorous. It's a disgusting thing to admit.
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I usually feel like the role comes to you to sort of illuminate some piece of where you are in your life. I feel like I myself am a single woman and I'm childless - by choice - at this point, and I don't know what will happen.
Sarah Paulson