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There were so many levels to the unknown, from safe to dangerous to outright nebulous, scariest of all.
Sarah Dessen
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Sarah Dessen
Age: 54
Born: 1970
Born: June 6
Novelist
Writer
Evanston
Illinois
Safe
Levels
Dangerous
Many
Nebulous
Scariest
Outright
Unknown
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But those words were only the middle of the story. There was a beginning here, too.
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What is family? They were the people who claimed you. In good, in bad, in parts or in whole, they were the ones who showed up, who stayed there, regardless.
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It's true. It's like the hidden secret that no one tells you. we can all be beautiful girls, Colie. it's so easy. it's like Dorothy clicking her heels to go home. You could do it all along.
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Are you crazy? Flirting with Eli Stock in front of Belissa Norwood, in Belissa Norwood’s house, while eating Belissa Norwood’s cupcakes?
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What did it feel like, I wondered, to love someone that much? So much that you couldn't even control yourself when they came close, as if you might just break free of whatever was holding you and throw yourself at them with enough force to easily overwhelm you both.
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You asked me to go out with you. I know you probably changed your mind. But you should know, the answer was yes. It's always been yes when it comes to you.
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I've always known who I am. I might not work perfectly, or be like them, but that's okay. I know I work in my own way.
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But the original was there as well—more jaded and rudimentary, functional rather than romantic. It fit not just the yellow house but another door, deep within my own heart. One that had been locked so tight for so long that I was afraid to even try it for fear of what might be on the other side
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I used to worry I was entirely uninteresting, but the truth is I think if my life was more exciting I'd never have any time to write.
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Every book teaches me something about my process, and they are all challenging in one way or another.
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Harder to get in than out, like so little else.
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Love can make up for a lot.
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The language of solace, and comets, and the girls we all become, in the end.
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None of it meant anything, and all of it was important.
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I'm starting to think, though, that some things never get that. The replay, and all. So at some point you have to make peace with it as it is, not keep waiting for a chance to change it
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I think I'm too lazy a writer to do something like historical fiction. You have to do so much research. I just write what I know.
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There has to be a middle. Without it, nothing can ever truly be whole. Because it is not just the space between, but also what holds everything together.
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When I was a teen, I was never really into the captain of the football team or the student body president. The guys I liked were quirky and different: They listened to music I'd never heard of, never had lunch or gas money, and could always make you laugh.
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She bought seeds and raided nurseries and mulched and composted and spent full days with her hands full of earth, coaxing life our of the dry, dull grass my father had spent years pushing a mower over.
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Leaving was easy. It was everything else that was so damned hard.
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