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The dramatic art would appear to be rather a feminine art it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.

Sarah Bernhardt

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Sarah Bernhardt
Age: 78 †
Born: 1844
Born: October 22
Died: 1923
Died: March 26
Actor
Dancer
Film Actor
Film Actress
Stage Actor
Writer
Paris
France
Rosine Bernard Bernhardt
Actors
Appear
Facility
Woman
Emotions
Defects
Desire
Express
Contains
Art
Essence
Feminine
Artifices
Real
Please
Faculty
Assimilation
Would
Emotion
Hide
Province
Acting
Dramatic
Artifice
Rather
Belong
Provinces

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Permanent success cannot be achieved except by incessant intellectual labour, always inspired by the ideal.
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I have often been asked why I am so fond of playing male parts. As a matter of fact, it is not male parts, but male brains that I prefer.
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It is by spending oneself that one becomes rich.
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You must have this charm to reach the pinnacle. It is made of everything and of nothing, the striving will, the look, the walk, the proportions of the body, the sound of the voice, the ease of the gestures. It is not at all necessary to be handsome or to be pretty all that is needful is charm.
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[When asked at age 79 why her Paris apartment was located up many flights of stairs at the top of the building:] It's the only way I can still make the hearts of men beat faster.
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For the theatre one needs long arms... an artiste with short arms can never make a fine gesture.
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... actors of the first water are not more plentiful than playwrights of genius.
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Your words are my food, your breath my wine. You are everything to me.
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I adore Chicago. It is the pulse of America.
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I refuse the title of artist to those who owe their reputations to a physical deformity. I regard them as buffoons.
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He who is incapable of feeling strong passions, of being shaken by anger, of living in every sense of the word, will never be a good actor.
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Legend remains victorious in spite of history.
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Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
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We ought to hate very rarely, as it is too fatiguing remain indifferent to a great deal, forgive often and never forget.
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Slow down? Rest? With all eternity before me?
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Each action of the actor on the stage should be the visible concomitant of his thoughts.
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I do love cricket - it's so very English.
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I have, thanks to my travels, added to my stock all the superstitions of other countries. I know them all now, and in any critical moment of my life, they all rise up in armed legions for or against me.
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What matters poverty? What matters anything to him who is enamoured of our art? Does he not carry in himself every joy and every beauty?
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One should hate very little, because it's extremely fatiguing. One should despise much, forgive often and never forget. Pardon does not bring with it forgetfulness at least not for me.
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