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History at its best is a gritty, dirty business.

Sara Sheridan

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Sara Sheridan
Age: 56
Born: 1968
Born: June 7
Novelist
Writer
Edinburgh
Scotland
Gritty
Dirty
History
Business
Best

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Everyone assumes writers spend their time lounging around, writing and occasionally striking a pose whilst having a think.
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People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two.
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I find it inspiring to actively choose which traditions to celebrate and also come up with new ideas for traditions of my own.
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Grabbing readers by the imagination is a writer's job.
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Writers are a product of where we come from but by looking at alternatives to the culture in which we live, we can find ways to change and hopefully improve it.
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As an historical novelist - there are few jobs more retrospective.
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I jealously guard my research time and I love fully immersing myself in those dusty old books and papers. It's one of the most enjoyable parts of my job.
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It is through our extended family that we first learn to compromise and come to an understanding that even if we don't always agree about things we can still love and look out for each other.
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Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.
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I had never really understood what an adventure life could be, if you followed your heart and did what you really wanted to do, which is what we must all do in the end.
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The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
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Scotland consistently produces world-class writers.
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Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
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I always thought that bagels and lox was my soul food, but it turns out it's sushi.
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While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
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A book is a story, even if it's non-fiction, and once I've read it, I have the story with me inside my head always.
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We can learn so much looking outside our core field of expertise.
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Books have a vital place in our culture. They are the source of ideas, of stories that engage and stretch the imagination and most importantly, inspire.
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The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.
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Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
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