Quote

It is through our extended family that we first learn to compromise and come to an understanding that even if we don't always agree about things we can still love and look out for each other.

Sara Sheridan

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Sara Sheridan
Age: 56
Born: 1968
Born: June 7
Novelist
Writer
Edinburgh
Scotland
Love
Look
Extended
Firsts
Compromise
Come
Agree
Looks
Understanding
First
Family
Even
Learn
Always
Stills
Things
Still

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History is full of blank spaces, but good stories, invariably, are not.
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As an historical novelist - there are few jobs more retrospective.
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People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two.
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The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
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Writers are a product of where we come from but by looking at alternatives to the culture in which we live, we can find ways to change and hopefully improve it.
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Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
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Books exist for me not as physical entities with pages and binding, but in the province of my mind.
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I've always had a keen sense of history. My father was an antiques dealer and he used to bring home boxes full of treasures, and each item always had a tale attached.
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While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
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Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
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We can learn so much looking outside our core field of expertise.
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I had loved poetry and the theatre. Now I loved adventure more.
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For a novelist, the gaps in a story are as intriguing as material that still exists.
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There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph or painting.
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Researching books gets you into nothing but trouble.
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Often we don't notice the stringent rules to which our culture subjects us.
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I jealously guard my research time and I love fully immersing myself in those dusty old books and papers. It's one of the most enjoyable parts of my job.
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Something I notice speaking to writers from south of Hadrians Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
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It is one of the benchmarks of a culture I always think – the page at which it operates. A good way to measure it is to order a taxi and see how irate local people get if it is late.
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I had never really understood what an adventure life could be, if you followed your heart and did what you really wanted to do, which is what we must all do in the end.
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