Quote

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.

Sara Sheridan

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Sara Sheridan
Age: 56
Born: 1968
Born: June 7
Novelist
Writer
Edinburgh
Scotland
Writing
Getting
Novels
Accessories
Like
Girl
Grown
Lure
Write
Details
Gloves
Found
Historical
Lipstick
Character
Girls
Perfume
Littles
Female
Astonishing
Little
Characters
Hats
Right
Novel
Vital

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Everyone assumes writers spend their time lounging around, writing and occasionally striking a pose whilst having a think.
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As an historical novelist - there are few jobs more retrospective.
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I find it inspiring to actively choose which traditions to celebrate and also come up with new ideas for traditions of my own.
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Scotland just isn't terribly Tory.
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Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.
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The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.
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Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
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The net has provided a level playing field for criticism and comment - anyone and everyone is entitled to their opinion - and that is one of its greatest strengths.
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While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
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The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
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Researching books gets you into nothing but trouble.
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There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph or painting.
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Something I notice speaking to writers from south of Hadrians Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
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Aunts offer kids an opportunity to try out ideas that don't chime with their parents and they also demonstrate that people can get on, love each other and live together without necessarily being carbon copies.
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History is full of blank spaces, but good stories, invariably, are not.
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I had never really understood what an adventure life could be, if you followed your heart and did what you really wanted to do, which is what we must all do in the end.
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I had loved poetry and the theatre. Now I loved adventure more.
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A book is a story, even if it's non-fiction, and once I've read it, I have the story with me inside my head always.
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Books exist for me not as physical entities with pages and binding, but in the province of my mind.
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For a novelist, the gaps in a story are as intriguing as material that still exists.
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