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Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
Sara Sheridan
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Sara Sheridan
Age: 56
Born: 1968
Born: June 7
Novelist
Writer
Edinburgh
Scotland
Like
Girl
Grown
Lure
Write
Details
Gloves
Found
Historical
Lipstick
Character
Girls
Perfume
Littles
Female
Astonishing
Little
Characters
Hats
Right
Novel
Vital
Writing
Getting
Novels
Accessories
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The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
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While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
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A word out of place or an interesting choice of vocabulary can spawn a whole character.
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I find it inspiring to actively choose which traditions to celebrate and also come up with new ideas for traditions of my own.
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People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two.
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For a novelist, the gaps in a story are as intriguing as material that still exists.
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History at its best is a gritty, dirty business.
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My father could talk about the Romany way of life and its culture. He could talk about freedom and the Scottish spirit. But that was all he could talk about. I was desperate for someone to talk to but there was just nobody there.
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Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.
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Everyone assumes writers spend their time lounging around, writing and occasionally striking a pose whilst having a think.
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It is through our extended family that we first learn to compromise and come to an understanding that even if we don't always agree about things we can still love and look out for each other.
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Often we don't notice the stringent rules to which our culture subjects us.
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Scotland consistently produces world-class writers.
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A book is a story, even if it's non-fiction, and once I've read it, I have the story with me inside my head always.
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We can learn so much looking outside our core field of expertise.
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History is full of blank spaces, but good stories, invariably, are not.
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There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph or painting.
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I had loved poetry and the theatre. Now I loved adventure more.
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I jealously guard my research time and I love fully immersing myself in those dusty old books and papers. It's one of the most enjoyable parts of my job.
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The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.
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