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For a novelist, the gaps in a story are as intriguing as material that still exists.

Sara Sheridan

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Sara Sheridan
Age: 56
Born: 1968
Born: June 7
Novelist
Writer
Edinburgh
Scotland
Materials
Story
Stories
Intriguing
Stills
Novelist
Still
Gaps
Novelists
Exists
Material

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Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
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I had never really understood what an adventure life could be, if you followed your heart and did what you really wanted to do, which is what we must all do in the end.
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I always thought that bagels and lox was my soul food, but it turns out it's sushi.
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Books exist for me not as physical entities with pages and binding, but in the province of my mind.
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I jealously guard my research time and I love fully immersing myself in those dusty old books and papers. It's one of the most enjoyable parts of my job.
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Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.
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The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
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Researching books gets you into nothing but trouble.
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It is one of the benchmarks of a culture I always think – the page at which it operates. A good way to measure it is to order a taxi and see how irate local people get if it is late.
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We can learn so much looking outside our core field of expertise.
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Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
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Something I notice speaking to writers from south of Hadrians Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
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People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two.
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A word out of place or an interesting choice of vocabulary can spawn a whole character.
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A book is a story, even if it's non-fiction, and once I've read it, I have the story with me inside my head always.
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History is full of blank spaces, but good stories, invariably, are not.
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History at its best is a gritty, dirty business.
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Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
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The net has provided a level playing field for criticism and comment - anyone and everyone is entitled to their opinion - and that is one of its greatest strengths.
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Scotland consistently produces world-class writers.
Sara Sheridan