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History is full of blank spaces, but good stories, invariably, are not.

Sara Sheridan

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Sara Sheridan
Age: 56
Born: 1968
Born: June 7
Novelist
Writer
Edinburgh
Scotland
Blank
Full
Space
History
Stories
Good
Invariably
Spaces

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Books exist for me not as physical entities with pages and binding, but in the province of my mind.
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There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph or painting.
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A word out of place or an interesting choice of vocabulary can spawn a whole character.
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The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
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Researching books gets you into nothing but trouble.
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I always thought that bagels and lox was my soul food, but it turns out it's sushi.
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A book is a story, even if it's non-fiction, and once I've read it, I have the story with me inside my head always.
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My father could talk about the Romany way of life and its culture. He could talk about freedom and the Scottish spirit. But that was all he could talk about. I was desperate for someone to talk to but there was just nobody there.
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Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
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Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.
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Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
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I had loved poetry and the theatre. Now I loved adventure more.
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As an historical novelist - there are few jobs more retrospective.
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It is through our extended family that we first learn to compromise and come to an understanding that even if we don't always agree about things we can still love and look out for each other.
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Something I notice speaking to writers from south of Hadrians Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
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Today women have the rights and equality our Victorian sisters could only dream of, and with those privileges comes the responsibility of standing up and being counted.
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We can learn so much looking outside our core field of expertise.
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While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
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The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.
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It is one of the benchmarks of a culture I always think – the page at which it operates. A good way to measure it is to order a taxi and see how irate local people get if it is late.
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