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The strategy of keeping the studio close, like an outbuilding five paces from the house, or in the loft next door, or with the studio on one end and the bed on the other - makes art always available.

Sara Genn

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Sara Genn
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I value the momentum of making the list and the drive to tick. Sometimes I add stuff I've already accomplished so I can get going on my feelings of accomplishment.
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You are responsible for radicalizing your strengths.
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In modern times we are often encouraged to protect our ego-force and individuality by securing a private world in which to develop our unique artistic voice. Many artists find themselves solo-paddling along a private and unchallenging river... Could rivalry be a productive system?
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Study the processes and methods of those who are better at it than you... there's someone who knows something you don't, who has honed a skill more than you have. Rival your rival.
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Learn from the greats, and expose yourself to better work.
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Artists and their subjects are the star-crossed lovers of the world. They recognize each other on impact.
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Every task is given equal importance - that way I can pick and choose my tasks based on the ebb and flow of my creative metabolism.
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Read in order to write, but paint in order to paint.
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Joy is my energy and energy is my powerhouse.
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Stretch your goals... In other words, think big and think far off.
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Remember the importance of phrases... a piece of something, an entry, a moment, a mark. This adjusts the pressure of the giant task of creating the perfect masterwork.
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A millionaire is a person who is free, who does what she loves, who has unlimited materials, her choice of tools, abundance, inspiration, freedom and an inflated sense of entitlement to have, create and get more.
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Half of the pleasure of painting and feeling the joy of the creative act is sharing it with others and the feeling of connection. It could just be the colour. But it is something that someone other than you has seen and felt. It is momentous. It is magic.
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Painters tend to ignore the challenges and thrills that sculptors enjoy daily - volume... like the perfect, imperfect voluminous oval of the egg.
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Value choices are intuitive... It's fun to see how much you can get without leaning on contrast.
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Some artists approach their 'why?' intuitively, and work toward giving it a voice through their technical skill. Others begin as technicians, and develop, or discover, their 'why?' as they become stronger communicators.
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These days, if you happen to be a poet you have to sing your words to get your ideas out.
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You are responsible for understanding your limitations.
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If an artist comes intuitively from the point of design, notan - lightness/darkness - is natural.
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