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Scientists tracking mirror neurons noticed that a monkey will get excited not just when holding a banana, but also when seeing someone else holding a banana.

Sara Genn

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Sara Genn
Mirrors
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Scientist
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The strategy of keeping the studio close, like an outbuilding five paces from the house, or in the loft next door, or with the studio on one end and the bed on the other - makes art always available.
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Make a searching and fearless inventory of your creative curiosity.
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You are responsible for understanding your limitations.
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Study the processes and methods of those who are better at it than you... there's someone who knows something you don't, who has honed a skill more than you have. Rival your rival.
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Vibrancy is only as effective as the mastering of restraint.
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Going beyond one's backyard grants one perspective.
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These days, if you happen to be a poet you have to sing your words to get your ideas out.
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Joy is my energy and energy is my powerhouse.
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You are responsible for radicalizing your strengths.
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Half of the pleasure of painting and feeling the joy of the creative act is sharing it with others and the feeling of connection. It could just be the colour. But it is something that someone other than you has seen and felt. It is momentous. It is magic.
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Art begins when an observer's sensibilities engage with the understatements of a calculating craftsman.
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Stretch your goals... In other words, think big and think far off.
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If an artist comes intuitively from the point of design, notan - lightness/darkness - is natural.
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Painters tend to ignore the challenges and thrills that sculptors enjoy daily - volume... like the perfect, imperfect voluminous oval of the egg.
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Once you sophisticate the in-betweens, your blacks and whites can take their solos and shine.
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In modern times we are often encouraged to protect our ego-force and individuality by securing a private world in which to develop our unique artistic voice. Many artists find themselves solo-paddling along a private and unchallenging river... Could rivalry be a productive system?
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Some artists approach their 'why?' intuitively, and work toward giving it a voice through their technical skill. Others begin as technicians, and develop, or discover, their 'why?' as they become stronger communicators.
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Why can't we all just acknowledge that 'nature' - that is, 'sex' or 'erotic' images, which are really just 'attracters' are everywhere. Of course a flower looks like what it looks like - that's what it is - to a bee.
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Read in order to write, but paint in order to paint.
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Remember the importance of phrases... a piece of something, an entry, a moment, a mark. This adjusts the pressure of the giant task of creating the perfect masterwork.
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