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I don't feel isolated on a film set. In a way you do because you don't really mix with the outside world you're just sort of working non-stop for a few months, but you've got so many people around you.

Saoirse Ronan

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Saoirse Ronan
Age: 30
Born: 1994
Born: April 12
Actress
Film Actor
Stage Actor
Television Actor
The Bronx
New York City
Saoirse Úna Ronan
Saoirse Una Ronan
People
Film
Around
Many
Isolated
Feel
Outside
Feels
Months
Really
Sort
Way
Stop
World
Working

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I like to get far away from myself when I'm acting.
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I really want to go to college.
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I like films where there's a relationship between two women. I always think that's lovely to watch on the screen.
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I would never want to move to L.A.
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I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
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I'm very much for strengthening our industry at home. It's great now there's a lot of work happening but I think with Irish film in particular, the views were starting to get a little stereotypical and we were pigeonholing ourselves a little bit. We needed to get out of that.
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I've found that I'd be the first one to cut lines.
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I think I do believe in the afterlife I have heard stories from people who I can completely trust that have seen ghosts.
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My name means freedom in Irish.
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Vampire teeth really aren't very efficient, are they? It looks very messy. I'm not sure it's the best way to get a pint off anyone.
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My whole life I try to make into a comedy, so it would be nice to see that onscreen.
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There's no one out there like Quentin Tarantino. His films have a signature look, and they never just stick to the same kind of story.
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I don't look at rushes, or I don't go to the dailies. I don't even really look at playback unless it's an action scene or a move that I need to do better, something like that.
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When I can't get the character out of my head, and I'm in my bedroom and I start to actually act out the scenes that I've read in a script, I think okay, I really want to do this.
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It's too distracting to read about yourself. You want to be perfect and you want everyone to love you, and that's never going to happen.
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I think when you get on with the actors that you're working with, even if you do have really intimate scenes, as long as you get on well, and have a bit of a laugh while doing it, then it's fine.
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I like my characters to be ones I think about long after I've finished reading the script.
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If I'm in the middle of a take and I start to think about what I'm doing, I just mess up and I have to stop and so I find that for me, you really need to trust your instinct.
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'Romeo And Juliet' is the classic love story. When two lovers are separated and trying to get back to one another, that's fiercely romantic and something you become glued to.
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We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.
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