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I don't feel isolated on a film set. In a way you do because you don't really mix with the outside world you're just sort of working non-stop for a few months, but you've got so many people around you.

Saoirse Ronan

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Saoirse Ronan
Age: 30
Born: 1994
Born: April 12
Actress
Film Actor
Stage Actor
Television Actor
The Bronx
New York City
Saoirse Úna Ronan
Saoirse Una Ronan
Feel
Outside
Feels
Months
Really
Sort
Way
Stop
World
Working
People
Film
Around
Many
Isolated

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I did find New Zealand similar to Ireland. The people, obviously. I found that, ironically, although these two countries were very far away from each other, their humor was so similar and their outlook on things was quite similar as well.
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I'm very much for strengthening our industry at home. It's great now there's a lot of work happening but I think with Irish film in particular, the views were starting to get a little stereotypical and we were pigeonholing ourselves a little bit. We needed to get out of that.
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I think I do believe in the afterlife I have heard stories from people who I can completely trust that have seen ghosts.
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I love cleaning. I love mopping the floor. If you need your floor mopped, I'm there.
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I certainly don't feel like I am desperate to run away from a film set. I love the hustle and bustle. Everything is sort of mad right before a take, and then it just settles, and you've got these two minutes of a bit of magic. I just love that in film.
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Sometimes the director will want you to write about the character, sometimes he'll want you to live in the location that the character is from or something like that, but I don't usually make a lot of notes or anything like that.
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There's no one out there like Quentin Tarantino. His films have a signature look, and they never just stick to the same kind of story.
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Vampire teeth really aren't very efficient, are they? It looks very messy. I'm not sure it's the best way to get a pint off anyone.
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I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
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I don't look at rushes, or I don't go to the dailies. I don't even really look at playback unless it's an action scene or a move that I need to do better, something like that.
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I think when you get on with the actors that you're working with, even if you do have really intimate scenes, as long as you get on well, and have a bit of a laugh while doing it, then it's fine.
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My whole life I try to make into a comedy, so it would be nice to see that onscreen.
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When I can't get the character out of my head, and I'm in my bedroom and I start to actually act out the scenes that I've read in a script, I think okay, I really want to do this.
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'Romeo And Juliet' is the classic love story. When two lovers are separated and trying to get back to one another, that's fiercely romantic and something you become glued to.
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I don't think you could get anything worse than losing a child. I think if my child died, I would prefer it if I were dead.
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It's too distracting to read about yourself. You want to be perfect and you want everyone to love you, and that's never going to happen.
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There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
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I like my characters to be ones I think about long after I've finished reading the script.
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Lindsay Lohan was the 'It' girl from, like, 14. That's a lot of pressure.
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I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
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