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To this day, on my cheat days from my diet, which are New Year's Eve and my birthday, I buy luxury foods that are very indicative of my class.

Sandra Cisneros

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Sandra Cisneros
Age: 70
Born: 1954
Born: December 20
Arts Administrator
Essayist
Novelist
Poet
Short Story Writer
Teacher
Writer
Chicago
Illinois
Year
Foods
Years
Cheat
Diet
Diets
Birthday
Luxury
Days
Class
Indicative

More quotes by Sandra Cisneros

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Those of us who are writers and have to perform to communities that aren't used to coming to book events, I would recommend taking some theater.
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I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
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When I say what I'm reading, this is what I need. I know the ills that plague me.
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I usually meditate and I call my spirit allies - anyone in the spirit world that I've got connections with. Even in the spirit world you need connections!
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I realize that when I moved out of my father’s house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.
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I want to write an essay called Fear of Mexico, because I always feel like Mexico's this lover that never writes to me.
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The more you speak more languages, the more you understand about yourself. It's like being blind. You aren't less of a person, but you're missing out on wonderful things.
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There are a few of the authors that I think have made a great big impact on my life. The way I used to do things when I was younger was more about being outrageous, and there was a lot of ego involved in that.
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People like to blame Mexican food, but look at what's happening globally, look at all the fast foods and products filled with trans fat. Before the Mexican Revolution, a hundred years ago, people were eating what now macrobiotics tells us to eat, corn, black beans, rice. That's what people were eating - and chile peppers. That's a healthy diet.
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I don't see any kind of mirror of power, male power, that is, as a form of liberation. I don't believe in an eye for an eye. I don't believe this is truly freedom.
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I don't close myself to the possibility of someplace outside the United States, but it would have to be someplace with an indigenous community, because that's where I feel at home.
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Perhaps the community you mentioned might not come to the story. Sometimes you have to take the story to them, and perform it, and that's another way that I get an alternate point of view that isn't the official version of history out to a community. I feel that's what I've been doing since Caramelo.
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I think I didn't know what I was creating, as much as I knew what I didn't want to do. And I didn't want my mother's life. She was an unhappy, frustrated artist who always dreamed of a life that was never going to be hers.
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Marshall Rosenberg talks about how we can create peace in the communities we work with. He's been traveling to warring nations to create peace within those countries.
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I think people should read fairy tales, because were hungry for a mythology that will speak to our fears.
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I'm not afraid to say what I'm afraid of. Does that make me fearless?
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You can't erase what you know. You can't forget who you are.
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That's what you need for your writing - to learn how to be present, learn how to be calm. So take that nap, do that meditation.
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I was so happy when I went to Rome and I saw that the Romans eat them too, the squash blossoms. [...] No wonder I like the Italians!
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If you know two cultures and two languages, that intermediate place, where the two don't perfectly meet, is really interesting.
Sandra Cisneros