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Like contemporary poetry, philosophy is one of those things, especially at the beginning stages, most people would rather do than study - which is why most of what gets done is so impoverished.
Samuel R. Delany
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Samuel R. Delany
Age: 82
Born: 1942
Born: April 1
Author
Cartoonist
Essayist
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
New York City
New York
Samuel Ray Delany
Jr.
Samuel Ray Delany
Chip Delany
Samuel Ray Chip Delany
Jr.
K. Leslie Steiner
S. L. Kermit
Study
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Rather
Contemporary
Done
Beginning
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Poetry
Would
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Gets
People
Philosophy
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Impoverished
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Breathing is a fascinating thing to watch in a woman.
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Discourse says, 'You are.' Rhetoric preserves the freedom to say, 'I am not.
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The strange machinery by which a reputation precedes its source we all know is faulty. Yet how much faith we put in it!
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If you are to stay in the good graces of the powerful, you had best, however unobtrusively, please the servants of the powerful.
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In myths things always turn into their opposites as one version supersedes the next.
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Ambition like a liquid ruby stains.
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I took my writing seriously, and it seemed to pay off.
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Apocalypse has come and gone. We're just grubbing in the ashes.
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It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
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The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
Samuel R. Delany
The pleasures of love are really quite wonderful--though I suspect they are rather a luxury and require a certain level of socioeconomic stability to be anything other than a mode of suffering.
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It is easier to argue that something nobody believes in actually exists than it is to argue that something everybody believes in is unreal.
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I think a 23-page ordinary comic is an investment for the artist, but if you're doing something 60 to 104 pages, that's a really big investment for an artist. So unless you've got someone who wants to pay you while you're doing it or up front, it's kind hard to get someone to do that with you, unless you're the artist yourself.
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A sentence has meaning in the sense that a train has a track, not that a train has a passenger.
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I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.
Samuel R. Delany
The night ... it is filled with bestial watchmen, trammeling the extremities and the interstices of the timeless city, portents fallen, constellated deities plummeting in ash and smoke, roaming the apocryphal cities, the cities of speculation and reconstituted disorder, of insemination and incipience, swept round with the dark.
Samuel R. Delany
Power is all. Another falsification I do not tell how I gain or maintain it. I only record the ginger stroll through the vaguely fetid garden of its rewards.
Samuel R. Delany
It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s.
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I think of myself as a very lazy writer, though other people see it differently.
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'You spin in the sky, the world spins under you, and you step from land to land, while we . . .' She turned her head right, left, and her black hair curled and uncurled on the shoulder of her coat. 'We have our dull, circled lives, bound in gravity, worshiping you!'
Samuel R. Delany
