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The rich are always enamored of the ancient.
Samuel R. Delany
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Samuel R. Delany
Age: 82
Born: 1942
Born: April 1
Author
Cartoonist
Essayist
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
New York City
New York
Samuel Ray Delany
Jr.
Samuel Ray Delany
Chip Delany
Samuel Ray Chip Delany
Jr.
K. Leslie Steiner
S. L. Kermit
Enamored
Ancient
Rich
Always
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A sentence has meaning in the sense that a train has a track, not that a train has a passenger.
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Historically, I guess that's how science fiction works: you start by using aliens to think the unthinkable and then, eventually, another writer, having grown a little more comfortable with the earlier notion, brings it into the human.
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The pleasures of love are really quite wonderful--though I suspect they are rather a luxury and require a certain level of socioeconomic stability to be anything other than a mode of suffering.
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I took my writing seriously, and it seemed to pay off.
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If you are to stay in the good graces of the powerful, you had best, however unobtrusively, please the servants of the powerful.
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The truth is always multiplex.
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Reality must prove itself again and again to questioners ... it is the fantasy which goes on without contradiction, without having to prove itself.
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Discourse says, 'You are.' Rhetoric preserves the freedom to say, 'I am not.
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In myths things always turn into their opposites as one version supersedes the next.
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I think of myself as a very lazy writer, though other people see it differently.
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I suspect most of life takes place in the interstices of what's already been articulated.
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I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.
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Ah, well, during the Middle Ages, religion was often able to redeem art. Today, however, art is about the only thing that can redeem religion, and the clerics will never forgive us for that.
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Power is all. Another falsification I do not tell how I gain or maintain it. I only record the ginger stroll through the vaguely fetid garden of its rewards.
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As a prose writer, I work with language and those who work with language turn to poetry for renewal.
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Topologically, men and women are identical. Some things are just larger and more developed in one than the other and positioned differently.
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I am in terror of the infinity before me, having come through the one behind bringing no knowledge I can take on.
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I think a 23-page ordinary comic is an investment for the artist, but if you're doing something 60 to 104 pages, that's a really big investment for an artist. So unless you've got someone who wants to pay you while you're doing it or up front, it's kind hard to get someone to do that with you, unless you're the artist yourself.
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I still believe pattern fascinates on its own. And three-sevenths of a pattern, or even a smaller fragment, can fascinate still more--get us really hunkering down, trying to tease out the whole of the figure in the carpet.
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I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black.
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